Fly from Captivity

Fevered excitement is the order of the day online with Yes's new album Fly from Here so close, and new details emerging very day. I've just put track times up on the news site and below. There's a great high resolution image of Dean's album cover here where you can really see the detail, like the two panthers in the trees. Speaking of panthers, I'm hearing the first few comments from people who have heard the album: it's like Drama, and it's not like Drama...

But let's not overlook some other Yes-related projects coming out shortly. After a great debut album, Mars Hollow are shortly to release their second album, produced by Billy Sherwood — more on that in due course. And then there's John Wetton's Raised in Captivity, produced/mixed/co-written/co-performed by Sherwood and out at the same time as Fly from Here. Frontiers have released three snippets of the album (see on the news site under Sherwood) and that distinctive Sherwood sound can be heard, suggesting this is perhaps as much a "John Wetton & Billy Sherwood" album as a John Wetton solo album.


Fly from Here
side A:
1. Fly From Here - Overture (1:54)
2. Fly From Here Pt I - We Can Fly (6:01)
3. Fly From Here Pt II - Sad Night at the Airfield (6:42)
4. Fly From Here Pt III - Madman at the Screens (5:17)
5. Fly From Here Pt IV - Bumpy Ride (2:15)
6. Fly From Here Pt V - We Can Fly Reprise (1:48)

side B:
7. The Man You Always Wanted Me to Be (5:13)
8. Life on a Film Set (5:12)
9. Hour of Need (3:08)
10. Solitaire (3:30) [Howe solo]
11. Into the Storm (6:54)

Yes vs. AWR - timelines

When people talk about the possible Anderson Wakeman Rabin album and the competition this alt-Yes offers to Fly from Here, they tend to stress how we can enjoy both and this is not a contest. And they're right. But, you know, it's much more fun to look at it as a contest! I thought it would be interesting to look at timelines.

The new Yes as we know it was announced in September 2008 (although the idea of Yes moving on without Anderson was mooted as early as June 2008 in the initial panicked reaction to Anderson's ill health). That same month, the idea of doing an album at some point is mentioned in interviews. We'll take September 2008 as the starting date.

The idea of Anderson Wakeman Rabin, or Anderson Bruford Wakeman Rabin as the initial plan was, dates back to February 2010. Wakeman, without naming names, first described the project and plans for an album that month.

But it's one thing to moot doing an album at some point. That's not the same as really starting work. Of course, musicians are of always writing and often use older ideas, so this is difficult to assess. Still, let's try to identify when we first see serious and collaborative work towards an album. For Yes, that would seem to be September 2009 when Squire, Howe and O. Wakeman gathered to exchange ideas specifically for a new album. With AWR, it would appear to be January 2011, when Anderson first says that he and Wakeman have written material for the project (whereas his 2010 interviews talk of writing in the future). So, this first step took 12 months for Yes and 11 months for AWR.

For Yes, recording sessions began in October 2010, another 13 months on. Recording finished in February 2011 (3 months more) and the album was mastered in May 2011 for a June 2011 release. Presuming that happens to plan, that's 3 months from recording finished, 6 months from recording beginning, 19 months from joint writing beginning, 31 months from the project beginning.

AWR started later. To stay one month ahead of Yes, they need to start recording by February 2012 and aim for a September 2012 release. OK then, clock ticking...

Comicoperando

Comicoperando is a tribute to Robert Wyatt led by musicians who have worked with him over the years. The project began early last year and has featured the likes of Richard Sinclair and Gilad Atzmon, but there is a short tour this year with a sextet of Dagmar Krause (lead vocals), Annie Whitehead (trombone, backing vocals), Karen Mantler (Hammond B3, lead vocals, harmonica), Michel Delville (guitar, vocals), John Edwards (double bass, vocals) and Chris Cutler (drums). Given such talent brought together, it was disappointing that the Queen Elizabeth Hall was only about half full, around 450 people, at their London show last night (12 May 2011).

The band seemed unconfident, apologetic and occasionally under-rehearsed (Krause notably missed a couple of cues). However, by and large, their performance was rich, tight and strong, and their apologies unnecessary.

The real fireworks for me came from the rhythm section, Cutler’s fluid drumming and Edwards’ complex bass playing. Whitehead’s trombone was the dominant lead instrument, working well with Krause’s and Mantler’s vocals, although I felt Delville’s duet vocals on “Just as You Are” were weak.

Dagmar Krause, of course, has a very distinctive voice, and Robert Wyatt, of course, has a very distinctive voice, so it was a surprise how well Krause’s vocals suited Wyatt’s songs. Krause was powerful and strident on “Out of the Blue” and “Gloria Gloom”, but emotional and intimate on “Alifib”. Mantler’s light, delicate vocal style offered a nice contrast on pieces like “Life is Sheep” and “The United States of Amnesia”. However, sometimes the vocals did not cut through the music well enough for the lyrics to be distinguished, a shame when dealing with Wyatt’s work.

The set spanned Wyatt’s career. Highlights for me were the playing on “The British Road”, the power of “Out of the Blue” and, of course, getting to hear old favourites like “Sea Song”. The show was a tad short, but I resisted the temptation to call out for “The Song of Investment Capital Overseas” as an extra encore!

Set (not in this order):

September the Ninth (written by Robert Wyatt / Alfreda Benge) - vocals Krause

Alliance (Robert Wyatt) - vocals Mantler

Beware (Karen Mantler) - vocals Mantler & Krause

Gloria Gloom (Bill MacCormick / Robert Wyatt) - vocals Krause

The British Road (Robert Wyatt) - vocals Mantler

Maryan (Robert Wyatt / Philip Catherine) - vocals Mantler & Krause

Just as You Are (Robert Wyatt) - vocals Krause & Delville

Life is Sheep (Karen Mantler) - vocals Mantler

Alifib (Robert Wyatt) - vocals Krause

Sea Song (Robert Wyatt) - vocals Krause

Little Red Riding Hood (Robert Wyatt) - vocals Krause & Mantler

Out of the Blue (Robert Wyatt) - vocals Krause

The United States of Amnesia (Robert Wyatt) - vocals Mantler

Memories (Hugh Hopper / Robert Wyatt) - vocals Krause

encore: Soup Song (Brian Hopper / Robert Wyatt) - vocals Krause & Mantler

Poll: Best Yes-related album of the second half of 2010

There were 118 votes in our poll for the best Yes-related album of the second half of 2010, a busy period with long-awaited projects like the Anderson/Wakeman album and the release of Mr. Mister's Pull, and significant new projects like Yoso and the first of Jon Anderson's Internet collaborations.

1. Anderson/Wakeman: The Living Tree: 37 (31%)    
2. Jon Anderson: Survival & Other Stories: 23 (19%)    
3. Asia: The Omega Tour Live (w/ Howe, Downes): 18 (15%)
4. Yoso: Elements (w/ Sherwood, Kaye): 14 (12%)
5= Geoff Downes: Electronica: 4 (3%)
5= Strawbs: Live at the BBC Volume One In Session (w/ R. Wakeman): 4 (3%)
5= David Bowie: Station to Station [special edition] (w/ Kaye): 4 (3%)
5= The Sorceror's Apprentice OST (w/ Rabin): 4 (3%)
5= Mr. Mister: Pull (w/ Rabin): 4 (3%)
10. King Crimson: any of several archival live releases (w/ Bruford): 3 (3%)
11. Strawbs: 40th Anniversary Celebrations Vol. 2 Rick Wakeman & Dave Cousins (w/ R. Wakeman): 2 (2%)

There were no votes for Robbie Williams' In And Out Of Consciousness: Greatest Hits 1990 - 2010 (w/ Horn) and one invalid vote.

No doubt about the winner this time. The Living Tree has divided fandom: a recent thread on Yesfans.com got so heated that two people, ironically a current and a former collaborator of Jon Anderson's, got banned after criticising the album. However, it clearly works for some. In a strong second is Anderson's Survival & Other Stories, an impressive performance given the album has only had a limited release to date (on sale on Anderson Wakeman Project 360 dates). Which means that Anderson's albums attracted 50% of all the votes, a clear indication of his enduring popularity whether in or out of the band.

The other big project of the period was Yoso, an attempt to break a bigger market by combining the core of CIRCA: with the vocals of former Toto frontman Bobby Kimball. However, the poor showing here echoes some bad reviews and the band has already been dissolved. Nonetheless, a new CIRCA: line-up has emerged with more members in common with Yoso than the previous CIRCA: line-up, and CIRCA: have now been taking on by Yoso's former management, 2 Plus Entertainment.

AWR, official sites and a response

I recently reported, based on information I had received and believed to be reliable, that the Anderson Wakeman Rabin project was dead in the water. However, denials soon followed, most notably from Rick Wakeman in his April GORR. I quote the key section:

Wayne has mentioned to me that he received a lot of e-mails to the site displaying their displeasure at the news that the proposed project with Trevor Rabin and Jon Anderson was not going ahead. I must admit I threw my head in my hands when he told me as it is, to the very best of my knowledge and certainly Jon's as well, total rubbish.

There are some not very nice people out there who like to stir things up, and believe it or not, we know who some of them are. They are the equivalent to people who start computer viruses and I have no time for them. I have always said that if you hear a rumour, log into this site, and if it's confirmed here, then it's true. If it isn't, then treat it as a rumour started by somebody who thinks they know something, but actually don't!

Which would appear to be directed at me and the site!

I am, to say the least, confused as to the current situation with the project. I have faith in what I've heard, that there are issues with the AWR project, but the above and another denial from close to the trio are pretty clear. So, exactly what is going on, I don't know. My apologies if I am wrong.

I hope I am wrong. I'd like to see this project go forward. Rick's presumption of malice is wrong, but not unexpected: he's expressed similar negative views about online discussion before now. But I do agree with Rick that if you want the official news, go to the official sites.

I sometimes see people online going, "Henry said it, so it must be true," which is flattering, but mistaken. I am not an official site, I will deal with rumour, and I do get things wrong. I do my best to be right and how I work means I can often scoop official sites (as with the recent news around Geoff Downes replacing Oliver Wakeman), but I am wrong-footed too (I presumed the Mexico Yes dates in May would automatically be with Downes, but it appears that O. Wakeman may still be in the band for those). So, fingers crossed that AWR will move forward, and I'll update with any further news I hear.

Over 3 years is a respectable stint for any Yes keyboardist

Oliver Wakeman is playing his last few shows with Yes. He is to be replaced by Geoff Downes, presumably as soon as the current Rite of Spring tour ends.

Yes has always had a high rate of keyboardist turnover. Tony Kaye lasted just over 3 years initially. His replacement was of course Oliver's dad, but Rick lasted less time, leaving after 2 years and 8 months. Next came Patrick Moraz for an even shorter spell: 2 years, 1 month.

Rick was back, but only for just over 3 years, before the shortest spell of the keyboardists we usually count, Geoff Downes, at a bit under a year.

Tony Kaye then returned... or rather joined Cinema, which became Yes. He seems to have been in the band for around a year before leaving, being replaced by Eddie Jobson for a few months, and then returning. Kaye was then continuously in Yes for by far the longest period of any keyboardist, another 11 years.

Counting ABWH as well, Rick had his longest spell in Yes of around 4 years from the beginnings of ABWH to the end of the Union tour. Given there were plans for him to be involved in Talk, maybe we should count that as longer. After Kaye's departure, Rick again returned, but this time quite briefly, about 1.5 years. Igor Khoroshev lasted about 3 years. Rick's latest stint in the band was for 2 years, 2 months.

Compared to these previous Yes keyboardists, Oliver has done pretty well. He's been in the band about three and a third years, although the cancellation of the 2008 tour meant his earlier months weren't very busy. (Even if you count only from the beginning of rehearsals for the In the Present tour, Oliver is still on 2 years, 5 months.)

Oliver's period in the band is longer than all but one of his father's; longer than Kaye's first time round; longer than Downes, Moraz, Khoroshev or Jobson. Any Yes keyboardist who gets to 3 years should probably be looking over their shoulder(!); only Tony Kaye has done substantially better.

What marks Oliver out, however, is the possibility that he won't appear on any studio material. While we now know Downes is the main keyboardist on Fly from Here, it's unclear whether any of Oliver's work will be used.

Switching keyboardists while making an album is familiar territory for Yes. Rick first came in when the band were working towards Fragile. Moraz began the Going for the One sessions, only for Rick to return. We've even had one Yes album before capturing a transition: Billy Sherwood plays most of the keys on Open Your Eyes. Igor Khoroshev was then recruited and appears on a few of the tracks.

If Oliver isn't on Fly from Here, however, the only precedent for someone touring as a member of the band but not seeing a studio release is Tony O'Reilly's few months as drummer in 1968.

The other lessons here are that Downes perhaps deserves another go at the job more than most ex-keyboardists, given how brief his first time was, and most Yes keyboardists get to come back at some point! In the mean time, here's good luck to Oliver for his career after Yes.

Anderson Wakeman Rabin cancelled

For reasons as yet unknown, I understand that the Anderson Wakeman Rabin project has been abandoned.

There has been an air of competition between this project and the current Yes line-up, echoing the ABWH/YesWest rivalry at the end of the 1980s. It's now clear that the original plan back at the beginning of 2010 was for Anderson Bruford Wakeman Rabin... at least, that was Anderson and Wakeman's plan; it doesn't appear that Bruford ever actually agreed to it. Four ex-Yesmen together was a tantalising prospect and, against a Yes with only three longstanding Yesmen (Howe/Squire/White) plus some newer members, an ABWR project would have had a strong claim to the mantle of being the 'real Yes'. ABWR would have had the majority of the band from Fragile and Close to the Edge, and as many of the band members from other key albums like 90125 and The Yes Album. Even when it became clear that Bruford was not involved, AWR was still an impressive line-up against HSW, as I argued in an earlier blog post.

But the project is now over; meanwhile, HSW have recruited two more former Yesmen for their team, with Trevor Horn producing and co-writing the new album, Fly from Here, and Geoff Downes playing on the album and possibly more. As far as I know, Anderson and Wakeman are still working together, with further touring and a live album planned for this year. Yet that means the 2011 project with the second most Yesmen involved is John Wetton's new solo album, Raised in Captivity, produced and co-written by Billy Sherwood, with guest appearances by Tony Kaye and Geoff Downes, as well as brief Yes member Eddie Jobson, Robert Fripp, Steve Hackett, new UK guitarist Alex Machacek and former King Crimson lyricist Richard Palmer-James.

[5 April update: Well, there have now been denials from R. Wakeman himself and another source close to the trio that the project is dead. So, I am uncertain what is happening now! More as I get it...]