The second half of 2011 saw the release of several major Yes-related projects: albums with multiple Yesmen (up to three for Raised in Captivity), significant solo releases, new collaborations and a variety of guest appearances, including on an album by a former starship captain. This was also the period, of course, that saw the release of the first new studio album from Yes for over a decade: namely Fly from Here.
However, I decided to keep this poll for the Yes-related releases and leave Fly from Here out. Otherwise, I thought Fly from Here would just swamp everything else. I also decided to include two non-album releases: Jon Anderson's "Open" is a digital-only, one-track single, although at just under 21 minutes in length, it's more like an EP, so I felt it should be included. I was already including King Friday's (physical) EP. Tony Kaye's "End of Innocence" is over twice as long as "Open", nearly 46 minutes, but was put up for free on YouTube. While previous polls in this series have not included tracks made available on a streaming basis, the magnitude of Kaye's opus was such that I felt it warranted inclusion.
110 people voted, and the results were:
1. Jon Anderson: "Open" - 25 (23%)
2. Steve Hackett: Beyond the Shrouded Horizon (w/ Squire) - 21 (19%)
3. Steve Howe: Time - 12 (11%)
4. Anderson Wakeman: The Living Tree In Concert Part One - 10 (9%)
5. Levin - Torn - White (w/ White) - 9 (8%)
6. John Wetton: Raised in Captivity (w/ Sherwood, Kaye, Downes) - 8 (7%)
7= CIRCA:: And So On (w/ Sherwood, Kaye) - 6 (5%)
7= Glass Hammer: Cor Cordium (w/ Davison) - 6 (5%)
9. Billy Sherwood: What was the Question? - 4 (4%)
10. Tony Kaye: "End of Innocence" - 3 (3%)
11= William Shatner: Seeking Major Tom (w/ Howe, Moraz) - 2 (2%)
11= King Crimson: Collectors' Club/DGM Live releases (w/ Bruford) - 2 (2%)
13= Kurt Michaels: Soaring Back to Earth (w/ Sherwood) - 1 (1%)
13= Flaming Row: Elinoire (w/ Sherwood) - 1 (1%)
15. King Friday: "Let the Song Begin" (w/ O. Wakeman) - 0 (0%)
There were no votes for 'other'.
The voting was very close and watching the results come in as exciting as the Republican primary contests! Anderson's "Open" and Beyond the Shrouded Horizon (with Squire guesting on several tracks and a recycled GTR riff earning Howe co-writing credits) were neck-and-neck until a final voting spurt from "Open". Throughout, third place was hotly contested between Time and The Living Tree In Concert Part One, with several albums in contention for 5th.
I'm taking these close results as an indication of a very strong period of Yes-related releases. I think any of the top 5 here could have won the previous poll had it been released in the first half of the year. And these were all on top of Fly from Here!
6th place went to John Wetton's Raised in Captivity (which I gave a bad review earlier). Between that, the latest CIRCA: album and his latest solo album, Sherwood's releases clocked up 18 votes. Add in two guest appearances, and he gets 20 votes, only one less than Shrouded Horizon.
Just before I put this poll up came the news that Jon Davison was now singing with Yes. I, thus, included in the poll his last album with Glass Hammer, Cor Cordium. The album scored a respectable 6 votes.
There's already plenty of projects lined up for the first half of this year, including Trevor Rabin's new solo album, Jacaranda, and the debut from Producers, Made in Basing Street. Given the success in this poll of Beyond the Shrouded Horizon, we can expect Squackett to be welcomed enthusiastically.
Jon Anderson has now won the last three of these polls, with The Living Tree (with Wakeman, of course), Survival and Other Stories and now "Open". Could he make it four out of four? He's talked of working on a follow-up to "Open", another long-form piece, and he's also talked about an album release including "Open", and about a sequel to Survival and Other Stories, which conclusively won best Yes-related album of the first half of 2011. However, Anderson's plans often appear rather fluid and when a next release will appear is unknown. He's also now talking about an album and tour with Marco Sabiu in 2013, which would be a disappointing change of direction for me.
Showing posts with label anderson wakeman. Show all posts
Showing posts with label anderson wakeman. Show all posts
Wednesday, 14 March 2012
Tuesday, 14 February 2012
Poll: What are we looking forward to in 2012?
Last year was a dramatic one for the band with a line-up change and their first new album in a decade. There were highs - Fly from Here sold well, shows at the beginning of the European tour leg saw the band energised and enjoying playing their new material - but there were lows - the joint tour with Styx was not the band at its best, and the European leg ended prematurely with David suffering health problems.
2012 looked as though it would be much calmer: roughly, work on the new Asia album in the first quarter of the year, some sort of touring by Yes (broadly playing the same set as in Europe) in Q2 and Q3, before Asia then tours and celebrates their 30th anniversary in Q4. That may still be the broad outline of the year, but the rollercoaster has started again with Jon Davison coming in as new vocalist, replacing Benoît David.
Mostly held before the Davison news, our latest poll asked what you were most looking forward to in 2012. We had 171 votes and the results are:
Squackett: 49 (27%)
Yes continuing to tour: 37 (21%)
New Anderson/Wakeman: 23 (13%)
Trevor Rabin's Jacaranda: 18 (10%)
New Mystery album: 11 (6%)
Next Jon Anderson solo project: 10 (6%)
Asia 30th anniversary: 8 (4%)
The Buggles return: 6 (3%)
Producers/The Path of Sydney Arthur: 4 (2%)
Journey to the Centre of the Earth live: 3 (2%)
New Billy Sherwood projects: 2 (1%)
Oliver Wakeman's Cultural Vandals: 0 ( 0%)
Other: 8 (4%)
... of which, Anderson/Wakeman/Rabin: 5 (3%)
So the voting was very spread, but a clear favourite in the long-awaited Chris Squire/Steve Hackett collaboration. Unlike some Yesmen, releases by Squire (outside Yes) are uncommon and perhaps that's why they attract more interest. Steve Hackett, of course, is well known in his own right, and now has an impressive tally of Yesmen collaborations: obviously with Bill Bruford in Genesis and Steve Howe in GTR, but also Geoff Downes, Trevor Horn, Rick Wakeman, Billy Sherwood and Tony Levin. Squire's guest appearances on Hackett's last two solo albums have whetted the appetite for Squackett.
Yes continuing to tour are second. Further Anderson/Wakeman work is your third choice. 5 people voted for the Anderson/Wakeman/Rabin project, and I presume many more would have had I explicitly included it as an option in the poll. However, the latest reports suggest the project is delayed again and we won't see any activity until 2013, and plenty are sceptical we'll ever see it.
However, Rabin's new album, Jacaranda, is finished and now expected May on Varèse Sarabande. Fifth choice, and above Anderson's next solo project, is the new Mystery album, largely finished, but awaiting a release date. So some Yes fans have clearly taken Benoît David to heart.
Anderson's next solo project gets 10 votes. The two Horn projects expected this year (although details remain unclear) get 10 together: 6 for The Buggles, 4 for Producers.
The Asia anniversary is only in seventh. I was also surprised to see Rick Wakeman's next live extravaganza, this time for Journey to the Centre of the Earth, so far down given the excitement there was around The Six Wives of Henry VIII a couple of years ago.
Since the poll, we've also had news of a possible Rick Wakeman/Tony Levin/Ian Paice project; more details of Billy Sherwood's plans, including guest appearances by Wakeman and Levin on a Supertramp tribute album; and there's the forthcoming Nektar covers album with Howe, Downes, Wakeman and Moraz all guesting.
2012 looked as though it would be much calmer: roughly, work on the new Asia album in the first quarter of the year, some sort of touring by Yes (broadly playing the same set as in Europe) in Q2 and Q3, before Asia then tours and celebrates their 30th anniversary in Q4. That may still be the broad outline of the year, but the rollercoaster has started again with Jon Davison coming in as new vocalist, replacing Benoît David.
Mostly held before the Davison news, our latest poll asked what you were most looking forward to in 2012. We had 171 votes and the results are:
Squackett: 49 (27%)
Yes continuing to tour: 37 (21%)
New Anderson/Wakeman: 23 (13%)
Trevor Rabin's Jacaranda: 18 (10%)
New Mystery album: 11 (6%)
Next Jon Anderson solo project: 10 (6%)
Asia 30th anniversary: 8 (4%)
The Buggles return: 6 (3%)
Producers/The Path of Sydney Arthur: 4 (2%)
Journey to the Centre of the Earth live: 3 (2%)
New Billy Sherwood projects: 2 (1%)
Oliver Wakeman's Cultural Vandals: 0 ( 0%)
Other: 8 (4%)
... of which, Anderson/Wakeman/Rabin: 5 (3%)
So the voting was very spread, but a clear favourite in the long-awaited Chris Squire/Steve Hackett collaboration. Unlike some Yesmen, releases by Squire (outside Yes) are uncommon and perhaps that's why they attract more interest. Steve Hackett, of course, is well known in his own right, and now has an impressive tally of Yesmen collaborations: obviously with Bill Bruford in Genesis and Steve Howe in GTR, but also Geoff Downes, Trevor Horn, Rick Wakeman, Billy Sherwood and Tony Levin. Squire's guest appearances on Hackett's last two solo albums have whetted the appetite for Squackett.
Yes continuing to tour are second. Further Anderson/Wakeman work is your third choice. 5 people voted for the Anderson/Wakeman/Rabin project, and I presume many more would have had I explicitly included it as an option in the poll. However, the latest reports suggest the project is delayed again and we won't see any activity until 2013, and plenty are sceptical we'll ever see it.
However, Rabin's new album, Jacaranda, is finished and now expected May on Varèse Sarabande. Fifth choice, and above Anderson's next solo project, is the new Mystery album, largely finished, but awaiting a release date. So some Yes fans have clearly taken Benoît David to heart.
Anderson's next solo project gets 10 votes. The two Horn projects expected this year (although details remain unclear) get 10 together: 6 for The Buggles, 4 for Producers.
The Asia anniversary is only in seventh. I was also surprised to see Rick Wakeman's next live extravaganza, this time for Journey to the Centre of the Earth, so far down given the excitement there was around The Six Wives of Henry VIII a couple of years ago.
Since the poll, we've also had news of a possible Rick Wakeman/Tony Levin/Ian Paice project; more details of Billy Sherwood's plans, including guest appearances by Wakeman and Levin on a Supertramp tribute album; and there's the forthcoming Nektar covers album with Howe, Downes, Wakeman and Moraz all guesting.
Thursday, 13 October 2011
The Big Poll: What was the best studio album of the last 12 months featuring multiple Yes men?
I wasn't certain whether to run this poll. This is a Yes fan site, so you would kinda expect a Yes album to easily defeat non-Yes albums. Why bother having the vote? But what exactly is and is not a Yes album remains contentious for some, with Fly from Here sporting only 60% (Howe/Squire/White) of what we call the classic line-up and The Living Tree, of course, featuring the other 40% (Anderson/Wakeman). So perhaps we should expect 60% of the vote for Fly from Here and 40% for The Living Tree?
But if I was going to have a poll of Fly from Here vs. The Living Tree, it seemed unfair to overlook other "spin-offs" involving multiple Yesmen, so, with a one year time frame, that adds CIRCA: (Kaye/Sherwood). And the final wildcard, released (most places) about the same time as Fly from Here and on the same label, is John Wetton's Raised in Captivity, which Wetton made in close collaboration with Sherwood and which features guest appearnaces from Kaye again and from Geoff Downes.
So, four albums, one labelled Yes, but three infused with the Yes spirit, and all four featuring multiple Yesmen: that seems like a fair poll on a Yes fan site. There seems no a priori reason why the album that says Yes on the cover would necessarily win against this competition.
The poll was clearly popular with a total of170 187 votes. [Edit: The poll stayed up longer than intended, so I give the final results below.] And the result?
Yes: Fly from Here -- 163 (87%)
Anderson & Wakeman: The Living Tree -- 18 (10%)
CIRCA: And So On -- 4 (2%)
John Wetton: Raised in Captivity -- 2 (1%)
That appears like a comprehensive victory for Fly from Here. Some do prefer The Living Tree, but they're in a quite small minority. CIRCA: and Raised in Captivity avoid the embarrassment of getting zero votes, but this result doesn't suggest they've made much impact on Yes fans.
The Living Tree won the poll of best Yes-related album of the second half of 2010, and albums by Anderson and Wakeman have done well in those polls, so it's not that The Living Tree is unloved (or that Anderson/Wakeman fans have deserted the website), but Fly from Here does appear to have bested it.
With The Living Tree In Concert Part One due next month and the Anderson/Wakeman/Rabin project still on the horizon, we'll see how they do against other big Yes-related projects (like Levin Torn White, Squackett, Rabin's Jackaranda, Howe's Time and a new Mystery album) in future polls.
But if I was going to have a poll of Fly from Here vs. The Living Tree, it seemed unfair to overlook other "spin-offs" involving multiple Yesmen, so, with a one year time frame, that adds CIRCA: (Kaye/Sherwood). And the final wildcard, released (most places) about the same time as Fly from Here and on the same label, is John Wetton's Raised in Captivity, which Wetton made in close collaboration with Sherwood and which features guest appearnaces from Kaye again and from Geoff Downes.
So, four albums, one labelled Yes, but three infused with the Yes spirit, and all four featuring multiple Yesmen: that seems like a fair poll on a Yes fan site. There seems no a priori reason why the album that says Yes on the cover would necessarily win against this competition.
The poll was clearly popular with a total of
Yes: Fly from Here -- 163 (87%)
Anderson & Wakeman: The Living Tree -- 18 (10%)
CIRCA: And So On -- 4 (2%)
John Wetton: Raised in Captivity -- 2 (1%)
That appears like a comprehensive victory for Fly from Here. Some do prefer The Living Tree, but they're in a quite small minority. CIRCA: and Raised in Captivity avoid the embarrassment of getting zero votes, but this result doesn't suggest they've made much impact on Yes fans.
The Living Tree won the poll of best Yes-related album of the second half of 2010, and albums by Anderson and Wakeman have done well in those polls, so it's not that The Living Tree is unloved (or that Anderson/Wakeman fans have deserted the website), but Fly from Here does appear to have bested it.
With The Living Tree In Concert Part One due next month and the Anderson/Wakeman/Rabin project still on the horizon, we'll see how they do against other big Yes-related projects (like Levin Torn White, Squackett, Rabin's Jackaranda, Howe's Time and a new Mystery album) in future polls.
Thursday, 21 April 2011
Poll: Best Yes-related album of the second half of 2010
There were 118 votes in our poll for the best Yes-related album of the second half of 2010, a busy period with long-awaited projects like the Anderson/Wakeman album and the release of Mr. Mister's Pull, and significant new projects like Yoso and the first of Jon Anderson's Internet collaborations.
1. Anderson/Wakeman: The Living Tree
: 37 (31%)
2. Jon Anderson: Survival & Other Stories: 23 (19%)
3. Asia: The Omega Tour Live
(w/ Howe, Downes): 18 (15%)
4. Yoso: Elements
(w/ Sherwood, Kaye): 14 (12%)
5= Geoff Downes: Electronica: 4 (3%)
5= Strawbs: Live at the BBC Volume One In Session
(w/ R. Wakeman): 4 (3%)
5= David Bowie: Station to Station [special edition]
(w/ Kaye): 4 (3%)
5= The Sorceror's Apprentice OST
(w/ Rabin): 4 (3%)
5= Mr. Mister: Pull
(w/ Rabin): 4 (3%)
10. King Crimson: any of several archival live releases (w/ Bruford): 3 (3%)
11. Strawbs: 40th Anniversary Celebrations Vol. 2 Rick Wakeman & Dave Cousins
(w/ R. Wakeman): 2 (2%)
There were no votes for Robbie Williams' In And Out Of Consciousness: Greatest Hits 1990 - 2010 (w/ Horn) and one invalid vote.
No doubt about the winner this time. The Living Tree has divided fandom: a recent thread on Yesfans.com got so heated that two people, ironically a current and a former collaborator of Jon Anderson's, got banned after criticising the album. However, it clearly works for some. In a strong second is Anderson's Survival & Other Stories, an impressive performance given the album has only had a limited release to date (on sale on Anderson Wakeman Project 360 dates). Which means that Anderson's albums attracted 50% of all the votes, a clear indication of his enduring popularity whether in or out of the band.
The other big project of the period was Yoso, an attempt to break a bigger market by combining the core of CIRCA: with the vocals of former Toto frontman Bobby Kimball. However, the poor showing here echoes some bad reviews and the band has already been dissolved. Nonetheless, a new CIRCA: line-up has emerged with more members in common with Yoso than the previous CIRCA: line-up, and CIRCA: have now been taking on by Yoso's former management, 2 Plus Entertainment.
1. Anderson/Wakeman: The Living Tree
: 37 (31%) 2. Jon Anderson: Survival & Other Stories: 23 (19%)
3. Asia: The Omega Tour Live
(w/ Howe, Downes): 18 (15%)4. Yoso: Elements
(w/ Sherwood, Kaye): 14 (12%)5= Geoff Downes: Electronica: 4 (3%)
5= Strawbs: Live at the BBC Volume One In Session
(w/ R. Wakeman): 4 (3%)5= David Bowie: Station to Station [special edition]
(w/ Kaye): 4 (3%)5= The Sorceror's Apprentice OST
(w/ Rabin): 4 (3%)5= Mr. Mister: Pull
(w/ Rabin): 4 (3%)10. King Crimson: any of several archival live releases (w/ Bruford): 3 (3%)
11. Strawbs: 40th Anniversary Celebrations Vol. 2 Rick Wakeman & Dave Cousins
(w/ R. Wakeman): 2 (2%)There were no votes for Robbie Williams' In And Out Of Consciousness: Greatest Hits 1990 - 2010 (w/ Horn) and one invalid vote.
No doubt about the winner this time. The Living Tree has divided fandom: a recent thread on Yesfans.com got so heated that two people, ironically a current and a former collaborator of Jon Anderson's, got banned after criticising the album. However, it clearly works for some. In a strong second is Anderson's Survival & Other Stories, an impressive performance given the album has only had a limited release to date (on sale on Anderson Wakeman Project 360 dates). Which means that Anderson's albums attracted 50% of all the votes, a clear indication of his enduring popularity whether in or out of the band.
The other big project of the period was Yoso, an attempt to break a bigger market by combining the core of CIRCA: with the vocals of former Toto frontman Bobby Kimball. However, the poor showing here echoes some bad reviews and the band has already been dissolved. Nonetheless, a new CIRCA: line-up has emerged with more members in common with Yoso than the previous CIRCA: line-up, and CIRCA: have now been taking on by Yoso's former management, 2 Plus Entertainment.
Friday, 18 March 2011
Plotting out the Yes year
If you can pull yourself away from the global news from Japan and Libya, the Yes news is coming thick and fast. The new, expanded & remastered ABWH from Gonzo is now available, and the current band are on tour, with the rest of the year beginning to become clear.
[Edit: And the latest Chris Squire interview confirms Downes will be the main keyboardist on Fly from Here.]
Now-4 Apr: Rite of Spring tour continues.
Apr: Finish the new Yes album, Fly from Here: recording appears to have been completed, although final overdubs wouldn't be a surprise and there's then the mixing, mastering etc.
28 Apr-26 May: Asia tour North, South and Central America. This may leave Squire with time to move forward the Squackett release. White is at a charity show on 30 Apr, and there is his mystery project with Tony Levin and possibly David Torn to fit in somewhere.
28-30 May: Two Yes shows, with Asia opening, in Mexico. Recently announced and still something of a puzzle. Will there be further Yes touring around these two shows? Will these shows debut Fly from Here material? What do these shows tell us about the ongoing uncertainty and rumours as to Downes' involvement on the new album and the possibility of his replacing O. Wakeman?
Jun: Unclear... but presumably some promotional activity for the new album.
Jul: Approximate release date for Fly from Here. Trevor Rabin's long-awaited new solo album is also due in the summer, as is an Anderson Wakeman Project 360 tour live release.
Jul/Aug: Yes North American tour with Styx.
Sep/Oct: Unclear, but one report suggested a South American tour by Yes around Sep. There's probably a Japan tour at some point, but whether in this period or later (early 2012?), we don't know. CIRCA: tour Europe. Howe has a solo release planned for Sep. Anderson & Wakeman may be playing Canada, and possibly the US and Europe, around Oct.
Nov/Dec: Yes European tour.
Dec: Asia possibly re-group to start work on their next album.
2012: I'm guessing now, but Asia will be celebrating the 30th anniversary of Asia, so another solo album and a new round of touring presumably. Howe has hinted at spending more time on solo projects in 2012. However, continued touring by Yes also seems likely.
It's not clear when the Anderson Wakeman Rabin project might get going. Could be this year, could be 2012.
[Edit: And the latest Chris Squire interview confirms Downes will be the main keyboardist on Fly from Here.]
Now-4 Apr: Rite of Spring tour continues.
Apr: Finish the new Yes album, Fly from Here: recording appears to have been completed, although final overdubs wouldn't be a surprise and there's then the mixing, mastering etc.
28 Apr-26 May: Asia tour North, South and Central America. This may leave Squire with time to move forward the Squackett release. White is at a charity show on 30 Apr, and there is his mystery project with Tony Levin and possibly David Torn to fit in somewhere.
28-30 May: Two Yes shows, with Asia opening, in Mexico. Recently announced and still something of a puzzle. Will there be further Yes touring around these two shows? Will these shows debut Fly from Here material? What do these shows tell us about the ongoing uncertainty and rumours as to Downes' involvement on the new album and the possibility of his replacing O. Wakeman?
Jun: Unclear... but presumably some promotional activity for the new album.
Jul: Approximate release date for Fly from Here. Trevor Rabin's long-awaited new solo album is also due in the summer, as is an Anderson Wakeman Project 360 tour live release.
Jul/Aug: Yes North American tour with Styx.
Sep/Oct: Unclear, but one report suggested a South American tour by Yes around Sep. There's probably a Japan tour at some point, but whether in this period or later (early 2012?), we don't know. CIRCA: tour Europe. Howe has a solo release planned for Sep. Anderson & Wakeman may be playing Canada, and possibly the US and Europe, around Oct.
Nov/Dec: Yes European tour.
Dec: Asia possibly re-group to start work on their next album.
2012: I'm guessing now, but Asia will be celebrating the 30th anniversary of Asia, so another solo album and a new round of touring presumably. Howe has hinted at spending more time on solo projects in 2012. However, continued touring by Yes also seems likely.
It's not clear when the Anderson Wakeman Rabin project might get going. Could be this year, could be 2012.
Saturday, 29 January 2011
Anderson/Wakeman/Rabin - what might they play live?
From the latest Grumpy Old Rick's Ramblings, it looks like the Anderson Wakeman Rabin project is seriously gearing up for activity, both an album and tour. But what is the set list of the live shows going to look like? Presumably a new album will be featured, but what else?
When Anderson Bruford Wakeman Howe appeared, what they would play on tour seemed obvious from the start. Here was (most of) the band that gave us Fragile and Close to the Edge, and (apart from the opening solo sections), everything they played came from those two albums or ABWH. Moreover, given Bruford had left before the Close to the Edge tour, there was the added irony of this being the first time he had played "Close to the Edge" and "And You and I" live.
Will an Anderson Wakeman Rabin tour have any iconic moments to compare to ABWH playing "Close to the Edge"? The big difference is that Anderson, Wakeman and Rabin never recorded an album together, and they've only been on stage together on the Union tour. They either have to play YesWest songs - which Wakeman didn't originally perform on, has occasionally been rude about, and has rarely played live - or they play "classic" '70s Yes - Rabin's performances of which were often criticised in the 1980/90s.
Anderson/Wakeman/Rabin is an intriguing combination of Yesmen, a more interesting line-up than the current 'official' Yes for some. They have the potential to surprise us in all kinds of ways, but nostalgia is the driving force behind ticket sales and what kind of nostalgia does a band that never existed before offer?
When Anderson Bruford Wakeman Howe appeared, what they would play on tour seemed obvious from the start. Here was (most of) the band that gave us Fragile and Close to the Edge, and (apart from the opening solo sections), everything they played came from those two albums or ABWH. Moreover, given Bruford had left before the Close to the Edge tour, there was the added irony of this being the first time he had played "Close to the Edge" and "And You and I" live.
Will an Anderson Wakeman Rabin tour have any iconic moments to compare to ABWH playing "Close to the Edge"? The big difference is that Anderson, Wakeman and Rabin never recorded an album together, and they've only been on stage together on the Union tour. They either have to play YesWest songs - which Wakeman didn't originally perform on, has occasionally been rude about, and has rarely played live - or they play "classic" '70s Yes - Rabin's performances of which were often criticised in the 1980/90s.
Anderson/Wakeman/Rabin is an intriguing combination of Yesmen, a more interesting line-up than the current 'official' Yes for some. They have the potential to surprise us in all kinds of ways, but nostalgia is the driving force behind ticket sales and what kind of nostalgia does a band that never existed before offer?
Sunday, 2 January 2011
Poll: what were you most looking forward to in 2010?
A final catch-up on old poll results... I'd asked you, "2010 sees several projects outside Yes itself involving multiple Yes men: which interests you most?" 66 voted with the following results:
Anderson Wakeman Project: 40 (61%)
Asia: 14 (21)%
Yoso: 5 (8%)
Mystery: 2 (3%)
CIRCA:: 1 (2%)
invalid votes: 4
Seems to me that there's a strong relationship there between the number of classic Yes members involved and interest in the project -- perhaps that's not surprising.
Anyway, did the year live up to your hopes for it?
Anderson Wakeman Project: 40 (61%)
Asia: 14 (21)%
Yoso: 5 (8%)
Mystery: 2 (3%)
CIRCA:: 1 (2%)
invalid votes: 4
Seems to me that there's a strong relationship there between the number of classic Yes members involved and interest in the project -- perhaps that's not surprising.
Anyway, did the year live up to your hopes for it?
Friday, 15 October 2010
The Living Tree, by Anderson/Wakeman
That was Monday night. Tuesday night, I was at a work do, but my friend Simon Barrow brought me back copies of The Living Tree (by Anderson/Wakeman) and Survival and Other Stories (by Jon Anderson and a suite of collaborators). Both are on sale at dates on the Anderson Wakeman Project 360 tour (no, no-one knows why it's called "Project 360"), but general release is not expected for some months.
We've had a few digital singles, a few guest appearances and a lorry load of online samples, but these are the first two full-length albums from Anderson since his acute respiratory failure and other health problems in 2008, and thus also the first since his departure from Yes. The Living Tree has had to carry huge expectations, for many it has had a totemic status, representing everything missing from the current Yes line-up. In comparison, Survival and Other Stories snuck under the radar and was not expected on this tour.
So, first up, The Living Tree. I've only had this album a short time, but some preliminary thoughts follow. Anderson and Wakeman toured as an acoustic duo in 2006 with some new material and began work on an album, but that stalled for some years. Now, a new tour and this eventual album release. The music was recorded over recent months by Wakeman in England, while Anderson recorded his vocals while on the road during his latest solo tour. Until recently, plans for this album included some of those Yes numbers, but the actual release is 9 new songs, a fairly short album in modern terms at under 43 minutes. (Well, some were new in 2006 but not released before now.)
We've had a few digital singles, a few guest appearances and a lorry load of online samples, but these are the first two full-length albums from Anderson since his acute respiratory failure and other health problems in 2008, and thus also the first since his departure from Yes. The Living Tree has had to carry huge expectations, for many it has had a totemic status, representing everything missing from the current Yes line-up. In comparison, Survival and Other Stories snuck under the radar and was not expected on this tour.
So, first up, The Living Tree. I've only had this album a short time, but some preliminary thoughts follow. Anderson and Wakeman toured as an acoustic duo in 2006 with some new material and began work on an album, but that stalled for some years. Now, a new tour and this eventual album release. The music was recorded over recent months by Wakeman in England, while Anderson recorded his vocals while on the road during his latest solo tour. Until recently, plans for this album included some of those Yes numbers, but the actual release is 9 new songs, a fairly short album in modern terms at under 43 minutes. (Well, some were new in 2006 but not released before now.)
This is a CD where you get what it says on the cover. This is not a Yes album by another name. It is just Anderson on vocals and Wakeman on piano and occasional synths. It's a stripped back format that puts Anderson's voice and Wakeman's piano playing on display, exposed. If you liked their duo performance of "The Meeting" during the 2004 Yes tour, if you liked their 2006 tour, you'll like this.
Highlights for me are the pairing of "Morning Star" and "House of Freedom" at the beginning of the album and "Anyway and Always", one of the 2006 pieces. Although the album all consists of fairly short pieces (most 4-6 minutes long), the likes of "Morning Star" and "House of Freedom" are still structured like a classic prog number, with contrasting moods over the course of each piece. With mostly just vocals and piano, the pair still manage to achieve the dynamism of a larger instrumentation. Yet it's sometimes difficult to escape the feeling that these pieces would benefit from a larger band, or, to be blunt, from being Yes songs. The occasional poor choice of keyboard sounds, like some particularly cheesy ones in "House of Freedom", only strengthens that response.
The only weak song for me is "Forever", a trite love song with an obvious arrangement. But generally, and to my surprise, it is Rick's piano playing and compositions that make this work rather than, and sometimes despite of, Jon's singing and lyrics.
Let's start with the lyrics. Anderson is often accused of being too explicit in his modern lyrics compared to the expressive, if not always comprehensible, convolutions of rearranged livers in the 1970s. The same criticism will re-emerge here. The lyrics are also often very spiritual, appealing if you share Anderson's faith opinions, but possibly off-putting otherwise. One might interpret "Just One Man", the album closer, to be a Christian song about Jesus. It would not sound out of place on a Christian rock album. But any interpretation must be viewed in the context of Anderson's syncretism (cf. "Big Buddha Song" on Survival and Other Stories) and his devotion to religious guru Audrey Kitagawa. [UPDATE: On tour, Anderson has been explaining that "Just One Man" is about Jesus and Muhammad and Buddha.] Anderson thanks Kitagawa in the liner notes here (and on Survival and Other Stories) and the title track appears to be a paean to her.
Having said the lyrics are more obvious, I have to ask what is "23/24/11" about? No idea there. [UPDATE: Also on tour, Anderson has said the song is about about a soldier in Afghanistan who has 23 days, 24 hours and 11 minutes left to the end of his tour.]
The keystone to any project like this is Anderson's voice. This is mostly the Jon we know and love, but his voice often sounds fragile, weak or rough around the edges. My first thought was that this reflects the problems he has had with singing since his acute respiratory failure in 2008. Yet reports from many recent concerts have suggested Anderson is often singing strongly these days. When I listened to Survival and Other Stories, which seems to have been recorded before The Living Tree, the mystery deepened as his voice is much stronger there too. I wonder whether the fragility of Anderson's vocals here does not represent what he is capable of, but is rather to do with what seems to have been a rushed recording process done without using a proper studio?
Listening to The Living Tree and Survival and Other Stories (of which more later), one change to Anderson's vocals that crosses both of them is a more nasal quality. Listen to "House of Freedom", "Anyway and Always", "Forever" or "Just One Man" and it sounds like Anderson has a bit of a cold and a congested nose.
The final track, "Just One Man", has a completely different vocal sound to the rest of The Living Tree. This song alone was not written by Wakeman, but by Jeremy Cubert. It also appears in a different version on Survival and Other Stories, performed by Cubert and others. I wonder whether it is actually the same vocal track on both performances? The comparison between the two versions of the song is interesting, because the larger band on the Survival and Other Stories version, with 'soundscape' by Christophe Lebled, orchestration by Ryan Fraley and viola by Daniel Reinker, works better, I suggest, than Wakeman alone. One is again left with the impression that while the material here is good, it could have been great with more musicians involved.
Likewise, with "House of Freedom", it's a lovely song, a nice composition, well-structured by Wakeman, and Anderson's lyrics work well with the music. Yet the vocals and some of the keyboard sounds mean the piece does not live up to its potential. More musicians, a better production, a bigger production, would these have realised that potential that bubbles under the surface of The Living Tree?
Leaving such hypotheticals aside, this is a good album, one of the best releases we have had from either musician for over a decade. It is the best Wakeman album I have heard in a long time, and I only don't say "the best" about Anderson because of Survival and Other Stories... but that will be covered in the next blog post.
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