ARZ are a progressive rock duo from Portland, Oregon, consisting of Merrill Hale on drums and Steve Adams on everything else (vocals, guitars, bass, keys), and they kindly sent me a copy of their new album, Turn of the Tide, released last November on Unicorn Digital (home to Mystery and other bands).
While Steve and Merrill met in a Yes tribute band, for me the first half of the album evokes Signals-era Rush more, both in its music and in its intelligent lyrics. Other influences are apparent as the album progresses. The bombast of "Hope and Glory", for example, is more in the vein of ELP, and a work-out for Hale on drums.
But, like Mars Hollow, another band I've championed, what makes ARZ worth trying is that they are more than the sum of their influences. They have their own style and Turn of the Tide successfully combines toe-tapping, hummable melodies with interesting arrangements and strong playing, making the longer pieces on the album still fly by. If I have a complaint, it is that the band could do with a more distinctive sound palette.
Speaking of Rush, just out is XYZ—A Tribute to Rush, a 5-song EP of Rush covers from Dave Kerzner's Sonic Elements project. As a keyboardist, Kerzner has worked with the likes of Kevin Gilbert, Steven Wilson and Simon Collins, but he is also the founder of music software company Sonic Reality. The gimmick behind XYZ is that it uses a set of drum tracks recorded by Neil Peart and available through Sonic Reality (Vol. 2 The Grooves
sample library). Kerzner has then assembled various guest stars to record these covers of "Tom Sawyer", "Red Barchetta", "YYZ" and "Limelight" around Peart's playing.
For Yes fans, the interest is in Billy Sherwood, who appears on every track: bass on "Tom Sawyer" and "Limelight", additional bass on "Red Barchetta", bass and guitar on "YYZ" and bonus track "Trifecta" (more on that below). Other guests include Porcupine Tree's John Wesley on "Tom Sawyer" (vocals, guitar) and "Limelight" (guitar), and Rik Emmett (vocals, guitar) on "Red Barchetta" (vocals, guitar).
These are great songs, well played, making for a fun EP. The interest in a covers project is often in how it relates to the original recordings. Here, Kerzner, Sherwood et al. stick very closely to the source material. Kerzner's keyboard work at the beginning and end of some of the tracks is where he deviates most from the original versions. I, as I'm sure many of you reading this, are very familiar with the originals, so even small differences stand out and provide interest, but I would have liked more variation.
Perhaps that conservatism in the arrangements is a necessary result of using Peart's drum tracks. Perhaps as a counterpoint to that, there is an extra song on the EP, "Trifecta". This takes the drum track for "YYZ", but Kerzner and Sherwood have recorded a new composition around it. (A second original piece, "Times Gone", built around the "Tom Sawyer" drum track, was also available for those who pre-ordered, but I missed that opportunity.)
As an experiment, "Trifecta" is interesting, but I didn't find it wholly successful. The piece has some OK riffs, but I don't feel it hangs together in its own right. The ghost of "YYZ" hangs over the piece, dictating the overall flow.
Sonic Elements have plenty more in the pipeline, much with Sherwood, including both covers and more original material. The covers include Yes songs, but the next planned release is another EP, It—A Tribute
to Genesis & Peter Gabriel.
Sunday, 10 June 2012
Monday, 4 June 2012
Two poll results
Part II of the poll of albums with 3+ Yesmen covered the 1980s and '90s, not perhaps the most impressive period for the multi-Yesman album compared to the likes of Fish Out of Water and The Six Wives of Henry VIII in the 1970s, but there were 102 votes and these are the result:
1. Symphonic Music of Yes (w/ Anderson, Bruford, Howe): 31 votes
2. The Buggles: Adventures in Modern Recording (w/ Horn, Downes, Squire): 18 votes
3. Steve Howe: Portraits of Bob Dylan (w/ Anderson, Downes): 14 votes
4. Tales from Yesterday (w/ Banks, Howe, Moraz, Sherwood): 10 votes
5. Esquire: Esquire (w/ Squire, White, Horn): 8 votes
6. Rick Wakeman: The Classical Connection II (w/ Squire, Bruford, Howe): 7 votes
7. Frankie Goes to Hollywood: Welcome to the Pleasuredome (w/ Horn, Howe, Rabin): 6 votes
8. Peter Banks: Can I Play You Something? (w/ Squire, Bruford): 3 votes
9= Encores, Legends and Paradox, A Tribute to the Music of ELP (w/ Banks, Downes, Khoroshev): 2 votes
9= Clive Nolan & Oliver Wakeman: Jabberwocky (w/ R Wakeman, Banks): 2 votes
11. Frankie Goes to Hollywood: Liverpool (w/ Horn, Howe, Rabin): 1 vote
The winner, Symphonic Music of Yes, is a bit of an oddity, often overlooked. The core band performing with orchestra and choir were Howe, Bruford and bassist Tim Harries (from Bruford's Earthworks), with Anderson guesting on two tracks, and ABWH additional keyboardist Julian Colbeck guesting on another, but the key figure behind the project was arranger/keyboardist Dee (then David) Palmer. Palmer is best known as a former member of Jethro Tull and did an orchestral album of Tull music in 1986 with various Tull members. She followed this with an orchestral Genesis album in 1987 and one for Pink Floyd, before Symphonic Music of Yes in 1993. Further albums for Queen and The Beatles followed.
I was surprised by its win given it doesn't seem like a particularly well regarded project. Symphonic Music of Yes is sometimes best remembered for a promotional appearance on US TV by Howe and Bruford in which they performed "Roundabout" with Howe, ill advisedly, singing lead vocals.
Second placed Adventures in Modern Recording has received new found attention as the bonus tracks on the latest re-release include a two-part "We Can Fly from Here" and a piece that became "Life on a Film Set" on Fly from Here, as well as a regular album track "I am a Camera", The Buggles' version of "Into the Lens".
The final poll, for the period from 2000 onwards, is now on the main page. Every one of the eligible albums involves Billy Sherwood, nearly all in the leading role. Sherwood has become the nexus for projects with multiple Yesmen, and Cleopatra Records is often the label involved. As well, Kaye is on all but one of these (Conspiracy) and White is on all but one (Raised in Captivity), illustrating how both work regularly with Sherwood. In contrast, none of these projects involves Anderson, Moraz, Khoroshev or any of the more recent Yesmen.
Once part III has run its course, there will be a final poll with the first and second place from each part, plus any new releases. (There are several multi-Yesmen albums in the pipeline: Nektar's Spoonful of Time is expected to feature Howe, Wakeman and Downes, while Sherwood's Prog Collective and his Supertramp tribute both include Kaye, Squire, Wakeman and Banks, and at least one also has Downes.)
We then had another poll about the possibility of Yes - The Musical! This was after Squire mentioned the possibility of Yes doing a project on Broadway, although a second interview has since made clear that he means some sort of residency rather than a musical production. Still, here are the poll answers (120 votes):
No, oh my god, no, no...: 51 votes (43%)
Yes: it should be a science fiction story based on Roger Dean's artwork: 41 votes (34%)
Yes: it should be about the history of the band: 22 votes (18%)
Other: 4 votes (3%)
Yes: it should be a fictional story about regular people in the 1970s/80s: 2 votes (2%)
The 4 'other' votes included 2 suggesting the residency idea that we now know Squire means, 1 opposing the whole idea, and another suggesting the creators of South Park produce it - clearly a great idea. So, that comes out as a narrow majority in favour of the idea, most of whom then favour something sci-fi-y connected to Roger Dean's artwork.
1. Symphonic Music of Yes (w/ Anderson, Bruford, Howe): 31 votes
2. The Buggles: Adventures in Modern Recording (w/ Horn, Downes, Squire): 18 votes
3. Steve Howe: Portraits of Bob Dylan (w/ Anderson, Downes): 14 votes
4. Tales from Yesterday (w/ Banks, Howe, Moraz, Sherwood): 10 votes
5. Esquire: Esquire (w/ Squire, White, Horn): 8 votes
6. Rick Wakeman: The Classical Connection II (w/ Squire, Bruford, Howe): 7 votes
7. Frankie Goes to Hollywood: Welcome to the Pleasuredome (w/ Horn, Howe, Rabin): 6 votes
8. Peter Banks: Can I Play You Something? (w/ Squire, Bruford): 3 votes
9= Encores, Legends and Paradox, A Tribute to the Music of ELP (w/ Banks, Downes, Khoroshev): 2 votes
9= Clive Nolan & Oliver Wakeman: Jabberwocky (w/ R Wakeman, Banks): 2 votes
11. Frankie Goes to Hollywood: Liverpool (w/ Horn, Howe, Rabin): 1 vote
The winner, Symphonic Music of Yes, is a bit of an oddity, often overlooked. The core band performing with orchestra and choir were Howe, Bruford and bassist Tim Harries (from Bruford's Earthworks), with Anderson guesting on two tracks, and ABWH additional keyboardist Julian Colbeck guesting on another, but the key figure behind the project was arranger/keyboardist Dee (then David) Palmer. Palmer is best known as a former member of Jethro Tull and did an orchestral album of Tull music in 1986 with various Tull members. She followed this with an orchestral Genesis album in 1987 and one for Pink Floyd, before Symphonic Music of Yes in 1993. Further albums for Queen and The Beatles followed.
I was surprised by its win given it doesn't seem like a particularly well regarded project. Symphonic Music of Yes is sometimes best remembered for a promotional appearance on US TV by Howe and Bruford in which they performed "Roundabout" with Howe, ill advisedly, singing lead vocals.
Second placed Adventures in Modern Recording has received new found attention as the bonus tracks on the latest re-release include a two-part "We Can Fly from Here" and a piece that became "Life on a Film Set" on Fly from Here, as well as a regular album track "I am a Camera", The Buggles' version of "Into the Lens".
The final poll, for the period from 2000 onwards, is now on the main page. Every one of the eligible albums involves Billy Sherwood, nearly all in the leading role. Sherwood has become the nexus for projects with multiple Yesmen, and Cleopatra Records is often the label involved. As well, Kaye is on all but one of these (Conspiracy) and White is on all but one (Raised in Captivity), illustrating how both work regularly with Sherwood. In contrast, none of these projects involves Anderson, Moraz, Khoroshev or any of the more recent Yesmen.
Once part III has run its course, there will be a final poll with the first and second place from each part, plus any new releases. (There are several multi-Yesmen albums in the pipeline: Nektar's Spoonful of Time is expected to feature Howe, Wakeman and Downes, while Sherwood's Prog Collective and his Supertramp tribute both include Kaye, Squire, Wakeman and Banks, and at least one also has Downes.)
We then had another poll about the possibility of Yes - The Musical! This was after Squire mentioned the possibility of Yes doing a project on Broadway, although a second interview has since made clear that he means some sort of residency rather than a musical production. Still, here are the poll answers (120 votes):
No, oh my god, no, no...: 51 votes (43%)
Yes: it should be a science fiction story based on Roger Dean's artwork: 41 votes (34%)
Yes: it should be about the history of the band: 22 votes (18%)
Other: 4 votes (3%)
Yes: it should be a fictional story about regular people in the 1970s/80s: 2 votes (2%)
The 4 'other' votes included 2 suggesting the residency idea that we now know Squire means, 1 opposing the whole idea, and another suggesting the creators of South Park produce it - clearly a great idea. So, that comes out as a narrow majority in favour of the idea, most of whom then favour something sci-fi-y connected to Roger Dean's artwork.
Wednesday, 16 May 2012
Broadway beckons
Yes on Broadway? With Jon Anderson back? A recent interview with Chris Squire mentions the idea in passing. It's an interesting interview, mainly about Squackett, but this remark, made in response to the familiar question of whether Anderson will ever return, is just the sort of whacky idea with minimal details that gets us fans speculating. So let's take a look at it. Here's what Squire says:
Also, Squire says their "next project will probably be" a studio album with the current line-up. So, work on a studio album is unlikely to seriously start before the beginning of 2013, so if this Broadway thing is to happen, it would seem unlikely to be before the second half of 2013 and could well be much later.
So, what is it? My first thought was a musical based on Yes songs, with the band being involved putting it together and promoting it, but not performing, as Queen did with "We Will Rock You", as other acts have done. However, Frumious B on Yesfans.com suggests some sort of run of special live shows, going back to a classic line-up of the band, connected to the band's 45th anniversary (although the timing, it seems to me, would put this activity possibly beyond 2013 and that anniversary). Those seem like the two most obvious possibilities, but could it be anything else?
There's been talk in recent years of a film using Yes songs. This would either involve Roger Dean and some fantasy story, the "Floating Islands" project (see this 2008 interview); or something biographical about the band's history, which Squire mentioned in a 2007 newspaper interview. The 2007 article made the comparison with "Yellow Submarine", so possibly there's a middle ground between these two approaches: about the band and a fantasy story. Could one of these ideas have mutated into a theatrical production? This would seem to get us back to some sort of 'Yes - The Musical'.
So two options: (1) Yes - The Musical (maybe somehow related to prior film ideas); (2) special live shows. Anyone else want to throw out other ideas?
Let's look at what Squire says more carefully. He speaks of "YES possibly doing something", so active involvement from the band. I'm not certain that really tells us much. They could be actively involved in a musical without performing, or that would readily fit a live show option.
He goes on: "and you might see Jon [Anderson] re-involved as you would other ex members of YES". Note he says "might" and note he talks about "other ex members", not just Anderson. If the plan was a special run of live performances re-uniting the classic band, you would think they would have to have Anderson or some other key ex-members (Wakeman R? Rabin?) on board. What would be the point of the current line-up doing it; how would it differ from any other live dates? It seems to me that this sort of optional involvement of various past band members might imply a musical, something where past band members can have input or help promote the endeavour (and they'd want to as it's a money-spinner for songwriters), but the process is driven by the Howe/Squire/White core regardless.
As I said, whatever it is, it probably won't happen! But if it did, what would you want to see? I've started a poll on the Where Are They Now? front page where you can vote for an option or make suggestions, or leave comments on this blog post the usual way.
[EDIT 25 May 2012] Squire has now expanded on the Broadway concept in a new interview. Frumious B was right. I quote:
"There’s been talk of YES possibly doing something on Broadway in New York. People have approached me with that idea and there are discussions about that. A possible project like that and you might see Jon [Anderson] re-involved as you would other ex members of YES. Once again there’s nothing concrete about that yet and now that we have Jon Davidson [sic] on board, our next project will probably be making a studio album with him. But we won’t close the door on other possibilities in the future …we’ll see what happens."In interpreting this, I would start with two big caveats: it's not at all clear what this is about, so let us recognise that we are speculating here; and, whatever this is, it's an early stage of discussion and so there's a high chance it won't happen.
Also, Squire says their "next project will probably be" a studio album with the current line-up. So, work on a studio album is unlikely to seriously start before the beginning of 2013, so if this Broadway thing is to happen, it would seem unlikely to be before the second half of 2013 and could well be much later.
So, what is it? My first thought was a musical based on Yes songs, with the band being involved putting it together and promoting it, but not performing, as Queen did with "We Will Rock You", as other acts have done. However, Frumious B on Yesfans.com suggests some sort of run of special live shows, going back to a classic line-up of the band, connected to the band's 45th anniversary (although the timing, it seems to me, would put this activity possibly beyond 2013 and that anniversary). Those seem like the two most obvious possibilities, but could it be anything else?
There's been talk in recent years of a film using Yes songs. This would either involve Roger Dean and some fantasy story, the "Floating Islands" project (see this 2008 interview); or something biographical about the band's history, which Squire mentioned in a 2007 newspaper interview. The 2007 article made the comparison with "Yellow Submarine", so possibly there's a middle ground between these two approaches: about the band and a fantasy story. Could one of these ideas have mutated into a theatrical production? This would seem to get us back to some sort of 'Yes - The Musical'.
So two options: (1) Yes - The Musical (maybe somehow related to prior film ideas); (2) special live shows. Anyone else want to throw out other ideas?
Let's look at what Squire says more carefully. He speaks of "YES possibly doing something", so active involvement from the band. I'm not certain that really tells us much. They could be actively involved in a musical without performing, or that would readily fit a live show option.
He goes on: "and you might see Jon [Anderson] re-involved as you would other ex members of YES". Note he says "might" and note he talks about "other ex members", not just Anderson. If the plan was a special run of live performances re-uniting the classic band, you would think they would have to have Anderson or some other key ex-members (Wakeman R? Rabin?) on board. What would be the point of the current line-up doing it; how would it differ from any other live dates? It seems to me that this sort of optional involvement of various past band members might imply a musical, something where past band members can have input or help promote the endeavour (and they'd want to as it's a money-spinner for songwriters), but the process is driven by the Howe/Squire/White core regardless.
As I said, whatever it is, it probably won't happen! But if it did, what would you want to see? I've started a poll on the Where Are They Now? front page where you can vote for an option or make suggestions, or leave comments on this blog post the usual way.
[EDIT 25 May 2012] Squire has now expanded on the Broadway concept in a new interview. Frumious B was right. I quote:
Squire is open to the idea of a Yes reunion as part of a residency at a Broadway theater in New York. "The idea of 'Yes on Broadway' has come up," he says. "It would reflect the history of Yes. It requires the collaboration not only with Jon Anderson, but also other ex-members, including keyboard players like Patrick Moraz and obviously Rick [Wakeman] would be looked at as well. Of course, it would have to depend on if there's any interest from that side as well. It's something that's brewing, but it's very much on the backburner."
Saturday, 28 April 2012
Yesmen outside Yes: poll part 2
The previous poll on the Where Are They Now? front page covered non-Yes albums featuring 3+ Yesmen from the 1970s. Part II of the poll is now up covering the 1980s and 1990s.
The Part I results are in and the winner, as could be expected, is Fish Out of Water, Chris Squire's first solo album, with Bill Bruford on drums and Patrick Moraz on some of the keyboards. A perennial favourite; a classic album. The full results are...
1. Chris Squire: Fish Out of Water - 71 (47%)
2= Rick Wakeman: The Six Wives of Henry VIII - 26 (17%)
2= Rick Wakeman: Criminal Record - 26 (17%)
4. Steve Howe: The Steve Howe Album - 16 (11%)
5. Steve Howe: Beginnings - 5 (3%)
6= Johnny Harris: All to Bring You Morning - 1 (1%)
6= Eddie Harris: E.H. in the U.K. - 1 (1%)
8. Alan White: Ramshackled - 0
There were 4 other votes: 2 for albums with 3+ Yesmen not from the 1970s, and 2 for '70s albums with only 1 Yesman each.
So, a dead heat for second place between the two Wakeman albums. "Catherine of Aragon", the opening track of 6 Wives, was originally recorded with most of the Fragile band (everyone except Anderson) because it was originally to have been Wakeman's solo spot on Fragile, before contractual problems meant it couldn't be used. Bruford and Alan White then appear on further tracks. One side of Criminal Record features Squire and White: Wakeman gave them free rein to record rhythm tracks and then added to the results; shades of Levin Torn White! Nearly all the remaining votes then went to the two Steve Howe albums.
The other three contenders received two votes between them. While they may not be the best and are overshadowed by Fish and Wives, I hope there is still some love for all three.
On paper, Johnny Harris's All to Bring You Morning has everything going for it. I believe it was the first album to feature 3 Yesmen together outside Yes (just ahead of Wives). It was recorded around the same time as Close to the Edge with the involvement of Jon Anderson, Steve Howe, Alan White and Eddie Offord (although Offord is on the 2 tracks Howe and White aren't). Yet far from being some lost prog masterpiece, most of All to Bring You Morning is a throwback to the '60s: easy listening, orchestral covers of well known pieces. It's the 14 minute, original, title track -- with vocals and lyrics by Anderson, guitar by Howe, drums by White -- that stands out if you're a Yes fan.
All to Bring You Morning also features guitarist Pete Kirtley, bassist Colin Gibson and Steve Gregory on flute/sax. All three also appear on Ramshackled. Ramshackled is another of the 1975/6 albums along with Fish and Beginnings. However, to call it an Alan White solo album is perhaps misleading. White wrote none of the music. What he did was re-assemble a former band he'd be in. White, Kirtley and organist Kenny Craddock had worked together backing Alan Price in the 1960s, before becoming Happy Magazine. With the addition of Gibson, they formed Griffin, but the band only ever released one single in 1969 before disbanding. But the band members continued to work together in various arrangements before the opportunity arose to do Ramshackled.
Ramshackled reflects that late '60s/early '70s rock sound. It's not very prog, it's not very Yes-like, but, as with All to Bring You Morning, one track stands out for the Yes fan: "Spring—Song of Innocence", a setting of a William Blake song, with guitar by Howe and sung by Anderson.
Eddie Harris (no relation to Jonny) was an American jazz saxophonist. For E.H. in the U.K., he recorded in London with a selection of British musicians, including Albert Lee, Jeff Beck, Steve Winwood, Ian Paice and three Yesmen. Kaye, Squire and White are together on the final two tracks. (I believe this is the first time White and Kaye worked together.) Instrumental jazz, lots of improvising and jamming, this is a context in which you might expect to find Bill Bruford, but not Squire, White and Kaye. And at times they seem uncomfortable, but there's some interesting playing along the way in the 16-minute "Conversations of Everything and Nothing", including the closest I think Squire has ever come to a King Crimson vibe.
Part II of the poll covers the 1980s/90s: you can vote now. There will be a part III subsequently and then the top albums in each poll will go forward to a final! Many of the qualifying albums in the 1980s/90s feel like they're only in on technicalities: e.g. Squire's mysterious minor credit on Adventures in Modern Recording; Horn's only role on Esquire is co-mixing one track; Rick Wakeman is on Jabberwocky but as a narrator, not on keyboards. We also see the first tribute albums, what would become a very fertile territory for multi-Yesmen projects. I'm also surprised that 4 out of the 11 albums involve Peter Banks, not someone we always think of as having as large a discography as other Yes alumni.
The Part I results are in and the winner, as could be expected, is Fish Out of Water, Chris Squire's first solo album, with Bill Bruford on drums and Patrick Moraz on some of the keyboards. A perennial favourite; a classic album. The full results are...
1. Chris Squire: Fish Out of Water - 71 (47%)
2= Rick Wakeman: The Six Wives of Henry VIII - 26 (17%)
2= Rick Wakeman: Criminal Record - 26 (17%)
4. Steve Howe: The Steve Howe Album - 16 (11%)
5. Steve Howe: Beginnings - 5 (3%)
6= Johnny Harris: All to Bring You Morning - 1 (1%)
6= Eddie Harris: E.H. in the U.K. - 1 (1%)
8. Alan White: Ramshackled - 0
There were 4 other votes: 2 for albums with 3+ Yesmen not from the 1970s, and 2 for '70s albums with only 1 Yesman each.
So, a dead heat for second place between the two Wakeman albums. "Catherine of Aragon", the opening track of 6 Wives, was originally recorded with most of the Fragile band (everyone except Anderson) because it was originally to have been Wakeman's solo spot on Fragile, before contractual problems meant it couldn't be used. Bruford and Alan White then appear on further tracks. One side of Criminal Record features Squire and White: Wakeman gave them free rein to record rhythm tracks and then added to the results; shades of Levin Torn White! Nearly all the remaining votes then went to the two Steve Howe albums.
The other three contenders received two votes between them. While they may not be the best and are overshadowed by Fish and Wives, I hope there is still some love for all three.
On paper, Johnny Harris's All to Bring You Morning has everything going for it. I believe it was the first album to feature 3 Yesmen together outside Yes (just ahead of Wives). It was recorded around the same time as Close to the Edge with the involvement of Jon Anderson, Steve Howe, Alan White and Eddie Offord (although Offord is on the 2 tracks Howe and White aren't). Yet far from being some lost prog masterpiece, most of All to Bring You Morning is a throwback to the '60s: easy listening, orchestral covers of well known pieces. It's the 14 minute, original, title track -- with vocals and lyrics by Anderson, guitar by Howe, drums by White -- that stands out if you're a Yes fan.
All to Bring You Morning also features guitarist Pete Kirtley, bassist Colin Gibson and Steve Gregory on flute/sax. All three also appear on Ramshackled. Ramshackled is another of the 1975/6 albums along with Fish and Beginnings. However, to call it an Alan White solo album is perhaps misleading. White wrote none of the music. What he did was re-assemble a former band he'd be in. White, Kirtley and organist Kenny Craddock had worked together backing Alan Price in the 1960s, before becoming Happy Magazine. With the addition of Gibson, they formed Griffin, but the band only ever released one single in 1969 before disbanding. But the band members continued to work together in various arrangements before the opportunity arose to do Ramshackled.
Ramshackled reflects that late '60s/early '70s rock sound. It's not very prog, it's not very Yes-like, but, as with All to Bring You Morning, one track stands out for the Yes fan: "Spring—Song of Innocence", a setting of a William Blake song, with guitar by Howe and sung by Anderson.
Eddie Harris (no relation to Jonny) was an American jazz saxophonist. For E.H. in the U.K., he recorded in London with a selection of British musicians, including Albert Lee, Jeff Beck, Steve Winwood, Ian Paice and three Yesmen. Kaye, Squire and White are together on the final two tracks. (I believe this is the first time White and Kaye worked together.) Instrumental jazz, lots of improvising and jamming, this is a context in which you might expect to find Bill Bruford, but not Squire, White and Kaye. And at times they seem uncomfortable, but there's some interesting playing along the way in the 16-minute "Conversations of Everything and Nothing", including the closest I think Squire has ever come to a King Crimson vibe.
Part II of the poll covers the 1980s/90s: you can vote now. There will be a part III subsequently and then the top albums in each poll will go forward to a final! Many of the qualifying albums in the 1980s/90s feel like they're only in on technicalities: e.g. Squire's mysterious minor credit on Adventures in Modern Recording; Horn's only role on Esquire is co-mixing one track; Rick Wakeman is on Jabberwocky but as a narrator, not on keyboards. We also see the first tribute albums, what would become a very fertile territory for multi-Yesmen projects. I'm also surprised that 4 out of the 11 albums involve Peter Banks, not someone we always think of as having as large a discography as other Yes alumni.
Wednesday, 18 April 2012
Trevor Rabin's Jacaranda
This is not the album I expected, but it is a testament to Trevor Rabin that he has delivered something not merely good, but also surprising. Highlights on the album like "Anerley Road" and "Market Street" have Rabin departing from his past rock or film score work, turning instead to jazz influences. There is a restless energy to the music, with arrangements and instrumentation rarely staying still for more than a few bars. Pieces that are four or five minutes long feel epic in terms of the ground they've covered. The usual jazz approach would be a statement of the melody, various solos based on that melody, before a final re-statement. Being close to a one-man band (he plays nearly everything save drums -- full details are on Where Are They Now?), Rabin instead varies instrumentation and arrangements as he explores the core theme of each piece, producing some of the best work of his career.
There is also an eclecticism to the album. There are slower tempo numbers: for example, penultimate track "Zoo Lake" is like an old-time jazz ballad. The short "Spider Boogie" opener does bluegrass. Album finisher "Gazania" is typical of the album's variety: a classical guitar skeleton, with bluegrass interludes and strong piano sections.
Expectant fans have been looking back to Can't Look Away, Rabin's last solo album, or Talk, his last significant non-score project, as possible reference points. The closest we get to those is "Through the Tunnel" and "Me and My Boy", where a heavier rock sound echoes pieces like "Sludge" or "Cinema". Yet we're 18 years from Talk; 23 years from Can't Look Away. 18 years before Talk, Rabin was still in Rabbitt, and given the change from Rabbitt to Talk, we shouldn't be wary of as much change again. Ironically, tracks like "Storks Bill Geranium Waltz" or "Anerley Road" may appeal to fans of the Steve Howe Trio or Time more than fans of Talk or 90125.
What we have heard from Rabin in recent years is a vast amount of film score work, which you could be forgiven for forgetting about. Until, that is, the album completely changes direction with track 6 and the cinematic "Rescue", based on his work for the film "The Guardian". The next track, "Killarney 1 & 2", brings us back towards the style of the rest of the album in its arrangement, if not its instrumentation for this is mostly a solo piano piece on what is mostly a guitarist's album. It is worth noting that the keyboards throughout the album are strong.
Trevor Rabin's Jacaranda has been some time coming, with Rabin busy with film scoring and supporting his son Ryan as his career gets going. Ryan drums on two tracks here, including, as the name suggests, "Me and My Boy". The cover art is by Hannah Hooper, who plays keys in Ryan's band Grouplove. But with the album almost here, Rabin has made some positive comments about the possibility of touring. [9 May: correction of Rabin's comments] If this comes off, it will be a show worth catching.
While I'm here... "Sea of Smiles", the single from Squackett, out on limited edition on 21 April. It's a big, joyful, catchy piece of music: I love it. While there is nice instrumental work, this is melodic rock more than prog. And it feels more 'ackett' than 'Squ': this would not have sounded out of place on Hackett's Beyond the Shrouded Horizon, although Squire's bass and singing are more to the fore than there.
Saturday, 14 April 2012
Yesmen outside Yes: poll part 1
With so many people having been through Yes over so many years, it is no surprise that some of them have worked together outside Yes. There are numerous albums with two Yesmen together, including long-running acts like Asia and CIRCA:.
On rarer occasions, we've had three or even more Yesmen on an album. So many Yesmen together obviously attracts the attention of the Yes fan. The results of such collaborations can be like finding a lost Yes song, as with "Spring - Song of Innocence" on Alan White's solo album, Ramshackled, with Anderson and Howe guesting. They can give us something akin to a Yes from an alternate history, like with Chris Squire's Fish Out of Water. Sometimes, the interest is precisely because we hear the Yesmen in a very different context, as with Steve Howe's Portraits of Bob Dylan (both Anderson and Downes guest). And sometimes such albums are just curios, good answers to trivia questions. There are three Yesmen on Frankie Goes to Hollywood's Liverpool (Horn, Howe and Rabin), but I can't detect two of them!
So, which of these albums - albums with three or more Yesmen together outside Yes - are worth getting and which aren't? What do you think? Thus the topic of our latest poll on the Where Are They Now? front page. The poll is split into three. First up are the 1970s albums, most of which came about when the band members guested on each other's albums. We'll move on to part 2, the 1980s and 1990s soon.
What prompted this topic is that there are three forthcoming albums featuring three or more Yesmen each, all on Cleopatra Records.
Cleopatra Records have a business model for tribute albums: pick well-known songs by a well-known act, and record them using an array of guest stars. The result makes for good promo. Keep recording costs low and they sell enough copies to make a profit.
The problem is that the result is often less than the sum of the parts. There have been some good tracks on past Cleopatra tribute albums - I think of Keith Emerson doing Led Zeppelin's "Black Dog", in particular - but most of them have been a disappointment to my ears. For all the big guest star names, their input seems often to be through a quickly done session, with the heavy-lifting done by someone else.
That someone else is often Billy Sherwood, which is why many of these albums end up with multiple Yesmen guesting, including tributes to The Beatles (Abbey Road), Zeppelin (Led Box) and Pink Floyd (notably Back Against the Wall and Return to the Dark Side of the Moon).
But Brian Perrera, head honco at Cleopatra, has been experimenting with the formula. Instead of tribute albums by various guest stars, Cleopatra are now doing covers albums led by a particular artist or act, although still with multiple guest stars as well. Last year we had William Shatner (yes, as in Captain Kirk) doing a sci-fi covers album with Howe and Moraz guesting. Forthcoming is another covers album by Anglo-German prog band Nektar, with Howe, Wakeman and Downes guesting. (Moraz was also billed as to appear on the Nektar album, but isn't on the final track list.)
And now we've got The Prog Collective. Same array of guest stars on a base by Billy Sherwood, but instead of covers, we have original material by Sherwood. At the same time as Sherwood has been working on this, he's also been working on a Supertramp tribute album. Both albums have many of the same guests, with Squire, Wakeman, Kaye and Banks confirmed for both, and Downes on at least The Prog Collective.
We await release dates for all three, but Sherwood's two projects have been delivered to the label and the Nektar album also seems close. And beyond these, Dave Kerzner's Sonic Elements project is offering a very different approach to doing covers: first EP, XYZ—A Tribute to Rush, features Sherwood too, with further Yesmen lined up for later releases. Whether these will be successful experiments or not, time will tell, but it adds to an interesting year already including high-profile releases like Squackett's A Life Within a Day, Trevor Rabin's Jacaranda and Producers' Made in Basing Street.
On rarer occasions, we've had three or even more Yesmen on an album. So many Yesmen together obviously attracts the attention of the Yes fan. The results of such collaborations can be like finding a lost Yes song, as with "Spring - Song of Innocence" on Alan White's solo album, Ramshackled, with Anderson and Howe guesting. They can give us something akin to a Yes from an alternate history, like with Chris Squire's Fish Out of Water. Sometimes, the interest is precisely because we hear the Yesmen in a very different context, as with Steve Howe's Portraits of Bob Dylan (both Anderson and Downes guest). And sometimes such albums are just curios, good answers to trivia questions. There are three Yesmen on Frankie Goes to Hollywood's Liverpool (Horn, Howe and Rabin), but I can't detect two of them!
So, which of these albums - albums with three or more Yesmen together outside Yes - are worth getting and which aren't? What do you think? Thus the topic of our latest poll on the Where Are They Now? front page. The poll is split into three. First up are the 1970s albums, most of which came about when the band members guested on each other's albums. We'll move on to part 2, the 1980s and 1990s soon.
What prompted this topic is that there are three forthcoming albums featuring three or more Yesmen each, all on Cleopatra Records.
Cleopatra Records have a business model for tribute albums: pick well-known songs by a well-known act, and record them using an array of guest stars. The result makes for good promo. Keep recording costs low and they sell enough copies to make a profit.
The problem is that the result is often less than the sum of the parts. There have been some good tracks on past Cleopatra tribute albums - I think of Keith Emerson doing Led Zeppelin's "Black Dog", in particular - but most of them have been a disappointment to my ears. For all the big guest star names, their input seems often to be through a quickly done session, with the heavy-lifting done by someone else.
That someone else is often Billy Sherwood, which is why many of these albums end up with multiple Yesmen guesting, including tributes to The Beatles (Abbey Road), Zeppelin (Led Box) and Pink Floyd (notably Back Against the Wall and Return to the Dark Side of the Moon).
But Brian Perrera, head honco at Cleopatra, has been experimenting with the formula. Instead of tribute albums by various guest stars, Cleopatra are now doing covers albums led by a particular artist or act, although still with multiple guest stars as well. Last year we had William Shatner (yes, as in Captain Kirk) doing a sci-fi covers album with Howe and Moraz guesting. Forthcoming is another covers album by Anglo-German prog band Nektar, with Howe, Wakeman and Downes guesting. (Moraz was also billed as to appear on the Nektar album, but isn't on the final track list.)
And now we've got The Prog Collective. Same array of guest stars on a base by Billy Sherwood, but instead of covers, we have original material by Sherwood. At the same time as Sherwood has been working on this, he's also been working on a Supertramp tribute album. Both albums have many of the same guests, with Squire, Wakeman, Kaye and Banks confirmed for both, and Downes on at least The Prog Collective.
We await release dates for all three, but Sherwood's two projects have been delivered to the label and the Nektar album also seems close. And beyond these, Dave Kerzner's Sonic Elements project is offering a very different approach to doing covers: first EP, XYZ—A Tribute to Rush, features Sherwood too, with further Yesmen lined up for later releases. Whether these will be successful experiments or not, time will tell, but it adds to an interesting year already including high-profile releases like Squackett's A Life Within a Day, Trevor Rabin's Jacaranda and Producers' Made in Basing Street.
Wednesday, 14 March 2012
Poll: Best Yes-related album of the second half of 2011
The second half of 2011 saw the release of several major Yes-related projects: albums with multiple Yesmen (up to three for Raised in Captivity), significant solo releases, new collaborations and a variety of guest appearances, including on an album by a former starship captain. This was also the period, of course, that saw the release of the first new studio album from Yes for over a decade: namely Fly from Here.
However, I decided to keep this poll for the Yes-related releases and leave Fly from Here out. Otherwise, I thought Fly from Here would just swamp everything else. I also decided to include two non-album releases: Jon Anderson's "Open" is a digital-only, one-track single, although at just under 21 minutes in length, it's more like an EP, so I felt it should be included. I was already including King Friday's (physical) EP. Tony Kaye's "End of Innocence" is over twice as long as "Open", nearly 46 minutes, but was put up for free on YouTube. While previous polls in this series have not included tracks made available on a streaming basis, the magnitude of Kaye's opus was such that I felt it warranted inclusion.
110 people voted, and the results were:
1. Jon Anderson: "Open" - 25 (23%)
2. Steve Hackett: Beyond the Shrouded Horizon (w/ Squire) - 21 (19%)
3. Steve Howe: Time - 12 (11%)
4. Anderson Wakeman: The Living Tree In Concert Part One - 10 (9%)
5. Levin - Torn - White (w/ White) - 9 (8%)
6. John Wetton: Raised in Captivity (w/ Sherwood, Kaye, Downes) - 8 (7%)
7= CIRCA:: And So On (w/ Sherwood, Kaye) - 6 (5%)
7= Glass Hammer: Cor Cordium (w/ Davison) - 6 (5%)
9. Billy Sherwood: What was the Question? - 4 (4%)
10. Tony Kaye: "End of Innocence" - 3 (3%)
11= William Shatner: Seeking Major Tom (w/ Howe, Moraz) - 2 (2%)
11= King Crimson: Collectors' Club/DGM Live releases (w/ Bruford) - 2 (2%)
13= Kurt Michaels: Soaring Back to Earth (w/ Sherwood) - 1 (1%)
13= Flaming Row: Elinoire (w/ Sherwood) - 1 (1%)
15. King Friday: "Let the Song Begin" (w/ O. Wakeman) - 0 (0%)
There were no votes for 'other'.
The voting was very close and watching the results come in as exciting as the Republican primary contests! Anderson's "Open" and Beyond the Shrouded Horizon (with Squire guesting on several tracks and a recycled GTR riff earning Howe co-writing credits) were neck-and-neck until a final voting spurt from "Open". Throughout, third place was hotly contested between Time and The Living Tree In Concert Part One, with several albums in contention for 5th.
I'm taking these close results as an indication of a very strong period of Yes-related releases. I think any of the top 5 here could have won the previous poll had it been released in the first half of the year. And these were all on top of Fly from Here!
6th place went to John Wetton's Raised in Captivity (which I gave a bad review earlier). Between that, the latest CIRCA: album and his latest solo album, Sherwood's releases clocked up 18 votes. Add in two guest appearances, and he gets 20 votes, only one less than Shrouded Horizon.
Just before I put this poll up came the news that Jon Davison was now singing with Yes. I, thus, included in the poll his last album with Glass Hammer, Cor Cordium. The album scored a respectable 6 votes.
There's already plenty of projects lined up for the first half of this year, including Trevor Rabin's new solo album, Jacaranda, and the debut from Producers, Made in Basing Street. Given the success in this poll of Beyond the Shrouded Horizon, we can expect Squackett to be welcomed enthusiastically.
Jon Anderson has now won the last three of these polls, with The Living Tree (with Wakeman, of course), Survival and Other Stories and now "Open". Could he make it four out of four? He's talked of working on a follow-up to "Open", another long-form piece, and he's also talked about an album release including "Open", and about a sequel to Survival and Other Stories, which conclusively won best Yes-related album of the first half of 2011. However, Anderson's plans often appear rather fluid and when a next release will appear is unknown. He's also now talking about an album and tour with Marco Sabiu in 2013, which would be a disappointing change of direction for me.
However, I decided to keep this poll for the Yes-related releases and leave Fly from Here out. Otherwise, I thought Fly from Here would just swamp everything else. I also decided to include two non-album releases: Jon Anderson's "Open" is a digital-only, one-track single, although at just under 21 minutes in length, it's more like an EP, so I felt it should be included. I was already including King Friday's (physical) EP. Tony Kaye's "End of Innocence" is over twice as long as "Open", nearly 46 minutes, but was put up for free on YouTube. While previous polls in this series have not included tracks made available on a streaming basis, the magnitude of Kaye's opus was such that I felt it warranted inclusion.
110 people voted, and the results were:
1. Jon Anderson: "Open" - 25 (23%)
2. Steve Hackett: Beyond the Shrouded Horizon (w/ Squire) - 21 (19%)
3. Steve Howe: Time - 12 (11%)
4. Anderson Wakeman: The Living Tree In Concert Part One - 10 (9%)
5. Levin - Torn - White (w/ White) - 9 (8%)
6. John Wetton: Raised in Captivity (w/ Sherwood, Kaye, Downes) - 8 (7%)
7= CIRCA:: And So On (w/ Sherwood, Kaye) - 6 (5%)
7= Glass Hammer: Cor Cordium (w/ Davison) - 6 (5%)
9. Billy Sherwood: What was the Question? - 4 (4%)
10. Tony Kaye: "End of Innocence" - 3 (3%)
11= William Shatner: Seeking Major Tom (w/ Howe, Moraz) - 2 (2%)
11= King Crimson: Collectors' Club/DGM Live releases (w/ Bruford) - 2 (2%)
13= Kurt Michaels: Soaring Back to Earth (w/ Sherwood) - 1 (1%)
13= Flaming Row: Elinoire (w/ Sherwood) - 1 (1%)
15. King Friday: "Let the Song Begin" (w/ O. Wakeman) - 0 (0%)
There were no votes for 'other'.
The voting was very close and watching the results come in as exciting as the Republican primary contests! Anderson's "Open" and Beyond the Shrouded Horizon (with Squire guesting on several tracks and a recycled GTR riff earning Howe co-writing credits) were neck-and-neck until a final voting spurt from "Open". Throughout, third place was hotly contested between Time and The Living Tree In Concert Part One, with several albums in contention for 5th.
I'm taking these close results as an indication of a very strong period of Yes-related releases. I think any of the top 5 here could have won the previous poll had it been released in the first half of the year. And these were all on top of Fly from Here!
6th place went to John Wetton's Raised in Captivity (which I gave a bad review earlier). Between that, the latest CIRCA: album and his latest solo album, Sherwood's releases clocked up 18 votes. Add in two guest appearances, and he gets 20 votes, only one less than Shrouded Horizon.
Just before I put this poll up came the news that Jon Davison was now singing with Yes. I, thus, included in the poll his last album with Glass Hammer, Cor Cordium. The album scored a respectable 6 votes.
There's already plenty of projects lined up for the first half of this year, including Trevor Rabin's new solo album, Jacaranda, and the debut from Producers, Made in Basing Street. Given the success in this poll of Beyond the Shrouded Horizon, we can expect Squackett to be welcomed enthusiastically.
Jon Anderson has now won the last three of these polls, with The Living Tree (with Wakeman, of course), Survival and Other Stories and now "Open". Could he make it four out of four? He's talked of working on a follow-up to "Open", another long-form piece, and he's also talked about an album release including "Open", and about a sequel to Survival and Other Stories, which conclusively won best Yes-related album of the first half of 2011. However, Anderson's plans often appear rather fluid and when a next release will appear is unknown. He's also now talking about an album and tour with Marco Sabiu in 2013, which would be a disappointing change of direction for me.
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