Arc of Life make it real

We first heard about Arc of Life back in summer 2019, but details were sparse and it was just in December 2020 that we discovered the full line-up: Billy Sherwood, Jon Davison, Jay Schellen, Jimmy Haun and Dave Kerzner. So, three members of the current live Yes band, someone who played on a Yes album, and a prominent figure in the modern prog scene who recently did a Yes tribute album.

To a degree, the news acted as an excuse for the usual arguments in present day Yes fandom to be recycled, but there was a good amount of interest in the new band. People couldn't help but talk about Arc of Life as a possible precursor of a next generation Yes, as with Simon Barrow’s piece.

Then the debut single, "You Make It Real", came out.

I've rarely seen the enthusiasm for a project drain away so fast. Sounding (and looking) like a forgotten pop song from 1990, even many of those who were looking forward to the new band seemed taken aback. iTunes samples for the full album suggest something more 'proggy', perhaps akin to CIRCA:, so I don't want to judge the album by the single. But someone chose to lead with that song.

There are two (separable but intertwined) issues here. The style of the song, and whether it's a good song within that style. The latter is subjective, so I want to start with the former: the style and its fit with the marketing of the new band.

When Yes-adjacent musicians go out and say they are deliberately making an album in a '70s prog style – as with Rick Wakeman's The Red Planet, CIRCA:'s own Valley of the Windmill, or Kansas's The Absence of Presence – it tends to go down well with the fans. Deviate from that style (as perhaps with Steve Howe's Love Is) and you get a muted reaction.

I'm not saying musicians should stay in their lane for fear of fan rejection. Levin Torn White is getting a re-release on vinyl and there's an album that surprised people with its style very successfully. Nor do I have anything against pop: I love pop (Dua Lipa's Future Nostalgia would be my pick of the year). The point I want to make is about marketing. Arc of Life must have realised that people will see them through the prism of Yes. They have definitely been marketed that way by Frontiers: Yes are explicitly mentioned 7 times in the video's blurb, including saying "that YES would be a clear point of influence". Promo talks of a "progressive rock philosophy, to craft creative, challenging, and ear-pleasing music that pushes boundaries" and a "grandiose and epic approach to music". So, if people are going to see you in those terms, if you are presented in those terms, wouldn't it make sense to pick a lead single that plays to that angle? Or, if nothing on the album does, to make sure the marketing feeds the message that this is a project in which the band members are doing something different from what you might expect. 

Kerzner online has pushed back on expectations of something Yes-like. He said on Facebook: "It's Billy and Jon's new tunes with a new line up. [...] I arrived late in the game after the songs were already written. If someone came to me and said "Dave what would you do IF you were wanting to make a sort of next-generation Yes album" that would be different. That was never mentioned whatsoever. These are just my pals from the latest Yes line up who asked me to join their side project band". Musicians should follow their muses: if Erato whispered in Sherwood and Davison's ears the words to "You Make It Real", I'm not saying they shouldn't record such a song. But maybe don't release that as your lead single while your label declares that "YES is clearly the main point of comparison".

Just before the release of the debut Arc of Life single, we had the single for the new Downes Braide Association album, "Love Among the Ruins". Here is a Yes member with a successful side project with a different sound to Yes. DBA offer something much closer to mainstream pop than Yes normally do, and do so successfully. But then Chris Braide is a massively successful songwriter/producer in modern pop music. I ran a quick Twitter poll of "Love Among the Ruins" versus "You Make It Real": DBA are ahead 11:2. We're into subjective territory here. Any song, some people will like it, some won't. I'm not a fan of "You Make It Real", although most of the iTunes samples for the album sound more interesting.

So, what were you expecting from Arc of Life? What did you think of "You Make It Real"? Are you looking forward to the album, Arc of Life, or indeed to the new DBA release, Halcyon Hymns?

2014 polls: bad news for Heaven & Earth, but better news for other Yes releases

The results for two big fan-voted polls of progressive rock in 2014 are now in, and there's a fair amount of Yes-related interest. First the bad news: in the DPRP Annual Poll (374 responses), Heaven & Earth won Biggest Disappointment, by a large margin over Pink Floyd's The Endless River. Prog magazine's Readers' Poll has a similar category, Non-Event of the Year, with Heaven & Earth 4th (behind No High Voltage Festival; the Sum of the Parts Genesis documentary; and Kate Bush only playing London).

Other categories had better news for the band. Yes were 1st (Relayer) and 6th (The Yes Album) in Prog's Reissue of the Year category, and 8th in the magazine's Multimedia of the Year for Like It Is (won by Transatlantic's KaLIVEoscope). Likewise, Like It Is was 7th in DPRP's Best DVD section (again won by KaLIVEoscope).

Prog's Event of the Year was won by Kate Bush's live shows, but Rick Wakeman (who writes a regular column for the magazine) came 3rd for his Journey to the Centre of the Earth 40th anniversary tour, while King Crimson's return was 4th and Cruise to the Edge, 6th. DPRP's Prog Happening of the Year category was won by the return of Pink Floyd, with King Crimson's return now 2nd and prog cruises in general, 3rd. (Wakeman's Journey shows received only 2 votes with DPRP, making them 17th equal.)

DPRP has a separate Best Concerts category. King Crimson came 5th equal for their 13 Sep 2014 show, although in a large field, 3 votes was all you needed for 5th equal. The category was won by Transatlantic's 14 Mar 2014 show in Amsterdam; with the "D" in DPRP being Dutch, the Amsterdam shows tend to do well.

The two polls differed somewhat on individual players. Wakeman topped the keyboardist category for Prog, but he only got a single vote in the DPRP poll, where Geoff Downes came 7th equal. Wakeman was also 3rd in Prog's Man of the Year category, which was won by Steven Wilson. Steve Howe made 7th in Prog's guitar list, but also only got a single vote with DPRP. (Steve Rothery won both best guitarist votes.) Similarly, Tony Levin came 3rd in Prog's bassist poll (won by Nick Beggs), but had a single vote with DPRP (won by Pete Trewavas).

Not much happening in the best vocalist categories. Jon Davison's 2 votes for his performance on Heaven & Earth got him 22nd equal with DPRP (won by Peter Nicholls). He also got 1 vote for his performance on Glass Hammer's Ode to Echo, but there were no votes for any other Yes vocalists. (Prog only gave top tens, but there were no Yes men in Prog's male vocalist category, won by Joe Payne, while their female section was won by Lee Douglas.) Alan White and Dylan Howe both got 1 vote for DPRP's Best Drummer (won by Mike Portnoy). (Again no-one in Prog's top ten, also won by Portnoy.)

Prog's Album of the Year was Opeth's Pale Communion (3rd with DPRP), with the only Yes-related entry being Dave Kerzner's New World, on which Billy Sherwood guests, coming in 10th. Kerzner was also 4th in the Tip for 2015 section with Prog, won by iamthemorning, and 3rd Best Newcomer with DPRP, won by Synaesthesia.

DPRP's Best Album was IQ's The Road of Bones (3rd with Prog), with the highest Yes-related entry being United Progressive Fraternity's Fall in Love with the World 14th, on which Jon Anderson guests, with New World coming next at 24. Ode to Echo (with Jon Davison) was 42nd and Heaven & Earth was 50th.

DPRP also has a Best Tracks category, won by IQ's "The Road of Bones". The top Yes-related entry here was "Subway Walls" at 35th equal. The only others in the top 100 were "Believe Again" and Glass Hammer's "The Garden of Hedon" (if Davison appears on that track) tied at 89.

Finally, Heaven & Earth managed 8th equal for Best Artwork at DPRP.